(by 35 people)
Oprah's Book Club Book List
We've all heard of Oprah (I hope) and most of us have heard of her book club. There's over 50 books in her club and she has been sure to pick only the best and most moving books for her club. Below I have taken the time to compile a list of books in the club by year.
2007
The Measure of a Man: A Spiritual Autobiography (Oprah's Book Club)
"I have no wish to play the pontificating fool, pretending that I've suddenly come up with the answers to all life's questions. Quite that contrary, I began this book as an exploration, an exercise in self-questing. In other words, I wanted to find out, as I looked back at a long and complicated life, with many twists and turns, how well I've done at measuring up to the values I myself have set."
-Sidney Poitier
In this luminous memoir, a true American icon looks back on his celebrated life and career. His body of work is arguably the most morally significant in cinematic history, and the power and influence of that work are indicative of the character of the man behind the many storied roles. Sidney Poitier here explores these elements of character and personal values to take his own measure-as a man, as a husband and a father, and as an actor.
Poitier credits his parents and his childhood on tiny Cat Island in the Bahamas for equipping him with the unflinching sense of right and wrong and of self-worth that he has never surrendered and that have dramatically shaped his world. "In the kind of place where I grew up," recalls Poitier, "what's coming at you is the sound of the sea and the smell of the wind and momma's voice and the voice of your dad and the craziness of your brothers and sisters...and that's it." Without television, radio, and material distractions to obscure what matters most, he could enjoy the simple things, endure the long commitments, and find true meaning in his life.
Poitier was uncompromising as he pursued a personal and public life that would honor his upbringing and the invaluable legacy of his parents. Just a few years after his introduction to indoor plumbing and the automobile, Poitier broke racial barrier after racial barrier to launch a pioneering acting career. Committed to the notion that what one does for a living articulates to who one is, Poitier played only forceful and affecting characters who said something positive, useful, and lasting about the human condition.
Here is Poitier's own introspective look at what has informed his performances and his life. Poitier explores the nature of sacrifice and commitment, price and humility, rage and forgiveness, and paying the price for artistic integrity. What emerges is a picture of a man in the face of limits-his own and the world's. A triumph of the spirit, The Measure of a Man captures the essential Poitier
Amazon Price: $10.17 (as of 08/19/2008)
The Road (Oprah's Book Club)
Best known for his Border Trilogy, hailed in the San Francisco Chronicle as "an American classic to stand with the finest literary achievements of the century," Cormac McCarthy has written ten rich and often brutal novels, including the bestselling No Country for Old Men, and The Road. Profoundly dark, told in spare, searing prose, The Road is a post-apocalyptic masterpiece, one of the best books we've read this year, but in case you need a second (and expert) opinion, we asked Dennis Lehane, author of equally rich, occasionally bleak and brutal novels, to read it and give us his take. Read his glowing review below. --Daphne Durham
Amazon Price: $8.97 (as of 08/19/2008)
Middlesex: A Novel
"I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974." And so begins Middlesex, the mesmerizing saga of a near-mythic Greek American family and the "roller-coaster ride of a single gene through time." The odd but utterly believable story of Cal Stephanides, and how this 41-year-old hermaphrodite was raised as Calliope, is at the tender heart of this long-awaited second novel from Jeffrey Eugenides, whose elegant and haunting 1993 debut, The Virgin Suicides, remains one of the finest first novels of recent memory.
Eugenides weaves together a kaleidoscopic narrative spanning 80 years of a stained family history, from a fateful incestuous union in a small town in early 1920s Asia Minor to Prohibition-era Detroit; from the early days of Ford Motors to the heated 1967 race riots; from the tony suburbs of Grosse Pointe and a confusing, aching adolescent love story to modern-day Berlin. Eugenides's command of the narrative is astonishing. He balances Cal/Callie's shifting voices convincingly, spinning this strange and often unsettling story with intelligence, insight, and generous amounts of humor:
Emotions, in my experience aren't covered by single words. I don't believe in "sadness," "joy," or "regret." %u2026 I'd like to have at my disposal complicated hybrid emotions, Germanic traincar constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." ... I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever.
Amazon Price: (as of 08/19/2008)
Love in the Time of Cholera (Oprah's Book Club)
The ironic vision and luminous evocation of South America that have distinguished Garcia Marquez's Nobel Prize-winning fiction since his landmark work, One Hundred Years of Solitude, persist in this turn-of-the-century chronicle of a unique love triangle. It is a fully mature novel in scope and perspective, flawlessly translated, as rich in ideas as in humanity. The illustrious and meticulous Dr. Juvenal Urbino and his proud, stately wife Fermina Daza, respectively past 80 and 70, are in the autumn of their solid marriage as the drama opens on the suicide of the doctor's chess partner. Jeremiah de Saint-Amour, a disabled photographer of children, chooses death over the indignities of old age, revealing in a letter a clandestine love affair, on the "fringes of a closed society's prejudices." This scenario not only heralds Urbino's demise soon afterwhen he falls out of a mango tree in an attempt to catch an escaped parrotbut brilliantly presages the novel's central themes, which are as concerned with the renewing capacity of age as with an anatomy of love. We meet Florentino Ariza, more antihero than hero, a mock Don Juan with an undertaker's demeanor, at once pathetic, grotesque and endearing, when he seizes the memorably unseemly occasion of Urbino's funeral to reiterate to Fermina the vow of love he first uttered more than 50 years before. With the fine detailing of a Victorian novel, the narrative plunges backward in time to reenact their earlier, youthful courtship of furtive letters and glances, frustrated when Fermina, in the light of awaking maturity, realizes Florentino is an adolescent obsession, and rejects him. With his uncanny ability to unearth the extraordinary in the commonplace, Garcia Marquez smoothly interweaves Fermina's and Florentino's subsequent histories. Enmeshed in a bizarre string of affairs with ill-fated widows while vicariously conducting the liaisons of others via love poems composed on request, Florentino feverishly tries to fill the void of his unrequited passion. Meanwhile, Fermina's marriage suffers vicissitudes but endures, affirming that marital love can be as much the product of art as is romantic love. When circumstances both comic and mystical offer Fermina and Florentino a second chance, during a time in their lives that is often regarded as promising only inevitable degeneration toward death, Garcia Marquez beautifully reveals true love's soil not in the convention of marriage but in the simple, timeless rituals that are its cement. 100,000 first printing; first serial to the New Yorker; BOMC main selection.
Copyright 1988 Reed Business Information, Inc. --This text refers to the Hardcover edition.
From Library Journal
While delivering a message to her father, Florentino Ariza spots the barely pubescent Fermina Daza and immediately falls in love. What follows is the story of a passion that extends over 50 years, as Fermina is courted solely by letter, decisively rejects her suitor when he first speaks, and then joins the urbane Dr. Juvenal Urbino, much above her station, in a marriage initially loveless but ultimately remarkable in its strength. Florentino remains faithful in his fashion; paralleling the tale of the marriage is that of his numerous liaisons, all ultimately without the depth of love he again declares at Urbino's death. In substance and style not as fantastical, as mythologizing, as the previous works, this is a compelling exploration of the myths we make of love. Highly recommended. Barbara Hoffert, "Library Journal"
Amazon Price: $10.17 (as of 08/19/2008)
The Pillars of the Earth
With this book, Follett risks all and comes out a clear winner, escaping the narrow genre of suspense thrillers to take credit for a historical novel of gripping readability, authentic atmosphere and detail and memorable characterization. Set in 12th-century England, the narrative concerns the building of a cathedral in the fictional town of Kingsbridge. The ambitions of three men merge, conflict and collide through four decades during which social and political upheaval and the internal politics of the church affect the progress of the cathedral and the fortunes of the protagonists. The insightful portrayals of an idealistic master builder, a pious, dogmatic but compassionate prior and an unscrupulous, ruthless bishop are balanced by those of a trio of independent, resourceful women (one of them quite loathesome) who can stand on their own as memorable characters in any genre. Beginning with a mystery that casts its shadow on ensuing events, the narrative is a seesaw of tension in which circumstances change with shocking but true-to-life unpredictability. Follett's impeccable pacing builds suspense in a balanced narrative that offers action, intrigue, violence and passion as well as the step-by-step description of an edifice rising in slow stages, its progress tied to the vicissitudes of fortune and the permutations of evolving architectural style. Follett's depiction of the precarious balance of power between monarchy and religion in the Middle Ages, and of the effects of social upheavals and the forces of nature (storms, famines) on political events; his ability to convey the fine points of architecture so that the cathedral becomes clearly visualized in the reader's mind; and above all, his portrayals of the enduring human emotions of ambition, greed, bravery, dedication, revenge and love, result in a highly engrossing narrative. Manipulating a complex plot in which the characters interact against a broad canvas of medieval life, Follett has written a novel that entertains, instructs and satisfies on a grand scale. 400,000 first printing; $400,000 ad/promo; Literary Guild main dual selection; author tour.
Copyright 1989 Reed Business Information, Inc.
Amazon Price: (as of 08/19/2008)
2006
Night (Oprah's Book Club)
In Nobel laureate Elie Wiesel's memoir Night, a scholarly, pious teenager is wracked with guilt at having survived the horror of the Holocaust and the genocidal campaign that consumed his family. His memories of the nightmare world of the death camps present him with an intolerable question: how can the God he once so fervently believed in have allowed these monstrous events to occur? There are no easy answers in this harrowing book, which probes life's essential riddles with the lucid anguish only great literature achieves. It marks the crucial first step in Wiesel's lifelong project to bear witness
Amazon Price: $9.00 (as of 08/19/2008)
2005
A Million Little Pieces
The electrifying opening of James Frey's debut memoir, A Million Little Pieces, smash-cuts to the then 23-year-old author on a Chicago-bound plane "covered with a colorful mixture of spit, snot, urine, vomit and blood." Wanted by authorities in three states, without ID or any money, his face mangled and missing four front teeth, Frey is on a steep descent from a dark marathon of drug abuse. His stunned family checks him into a famed Minnesota drug treatment center where a doctor promises "he will be dead within a few days" if he starts to use again, and where Frey spends two agonizing months of detox confronting "The Fury" head on:
I want a drink. I want fifty drinks. I want a bottle of the purest, strongest, most destructive, most poisonous alcohol on Earth. I want fifty bottles of it. I want crack, dirty and yellow and filled with formaldehyde. I want a pile of powder meth, five hundred hits of acid, a garbage bag filled with mushrooms, a tube of glue bigger than a truck, a pool of gas large enough to drown in. I want something anything whatever however as much as I can.
One of the more harrowing sections is when Frey submits to major dental surgery without the benefit of anesthesia or painkillers (he fights the mind-blowing waves of "bayonet" pain by digging his fingers into two old tennis balls until his nails crack). His fellow patients include a damaged crack addict with whom Frey wades into an ill-fated relationship, a federal judge, a former championship boxer, and a mobster (who, upon his release, throws a hilarious surf-and-turf bacchanal, complete with pay-per-view boxing). In the book's epilogue, when Frey ticks off a terse update on everyone, you can almost hear the Jim Carroll Band's brutal survivor's lament "People Who Died" kicking in on the soundtrack of the inevitable film adaptation.
The rage-fueled memoir is kept in check by Frey's cool, minimalist style. Like his steady mantra, "I am an Alcoholic and I am a drug Addict and I am a Criminal," Frey's use of repetition takes on a crisp, lyrical quality which lends itself to the surreal experience. The book could have benefited from being a bit leaner. Nearly 400 pages is a long time to spend under Frey's influence, and the stylistic acrobatics (no quotation marks, random capitalization, left-aligned text, wild paragraph breaks) may seem too self-conscious for some readers, but beyond the literary fireworks lurks a fierce debut. --Brad Thomas Parsons
Amazon Price: $10.85 (as of 08/19/2008)
As I Lay Dying
Faulkner's distinctive narrative structures--the uses of multiple points of view and the inner psychological voices of the characters--in one of its most successful incarnations here in As I Lay Dying. In the story, the members of the Bundren family must take the body of Addie, matriarch of the family, to the town where Addie wanted to be buried. Along the way, we listen to each of the members on the macabre pilgrimage, while Faulkner heaps upon them various flavors of disaster. Contains the famous chapter completing the equation about mothers and fish--you'll see.
Amazon Price: $10.36 (as of 08/19/2008)
The Sound and the Fury
The ostensible subject of The Sound and the Fury is the dissolution of the Compsons, one of those august old Mississippi families that fell on hard times and wild eccentricity after the Civil War. But in fact what William Faulkner is really after in his legendary novel is the kaleidoscope of consciousness--the overwrought mind caught in the act of thought. His rich, dark, scandal-ridden story of squandered fortune, incest (in thought if not in deed), madness, congenital brain damage, theft, illegitimacy, and stoic endurance is told in the interior voices of three Compson brothers: first Benjy, the "idiot" man-child who blurs together three decades of inchoate sensations as he stalks the fringes of the family's former pasture; next Quentin, torturing himself brilliantly, obsessively over Caddy's lost virginity and his own failure to recover the family's honor as he wanders around the seedy fringes of Boston; and finally Jason, heartless, shrewd, sneaking, nursing a perpetual sense of injury and outrage against his outrageous family.
If Benjy's section is the most daringly experimental, Jason's is the most harrowing. "Once a bitch always a bitch, what I say," he begins, lacing into Caddy's illegitimate daughter, and then proceeds to hurl mud at blacks, Jews, his sacred Compson ancestors, his glamorous, promiscuous sister, his doomed brother Quentin, his ailing mother, and the long-suffering black servant Dilsey who holds the family together by sheer force of character.
Notoriously "difficult," The Sound and the Fury is actually one of Faulkner's more accessible works once you get past the abrupt, unannounced time shifts--and certainly the most powerful emotionally. Everything is here: the complex equilibrium of pre-civil rights race relations; the conflict between Yankee capitalism and Southern agrarian values; a meditation on time, consciousness, and Western philosophy. And all of it is rendered in prose so gorgeous it can take your breath away. Here, for instance, Quentin recalls an autumnal encounter back home with the old black possum hunter Uncle Louis:
And we'd sit in the dry leaves that whispered a little with the slow respiration of our waiting and with the slow breathing of the earth and the windless October, the rank smell of the lantern fouling the brittle air, listening to the dogs and to the echo of Louis' voice dying away. He never raised it, yet on a still night we have heard it from our front porch. When he called the dogs in he sounded just like the horn he carried slung on his shoulder and never used, but clearer, mellower, as though his voice were a part of darkness and silence, coiling out of it, coiling into it again. WhoOoooo. WhoOoooo. WhoOooooooooooooooo.
What Faulkner has created is a modernist epic in which characters assume the stature of gods and the primal family events resonate like myths. It is The Sound and the Fury that secures his place in what Edmund Wilson called "the full-dressed post-Flaubert group of Conrad, Joyce, and Proust." --David Laskin
Amazon Price: $9.56 (as of 08/19/2008)
Light in August (The Corrected Text)
"For all his concern with the South, Faulkner was actually seeking out the nature of man. Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics." -Ralph Ellison
Amazon Price: $11.16 (as of 08/19/2008)
2004
One Hundred Years of Solitude (Oprah's Book Club)
"Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice."
It is typical of Gabriel García Márquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buendía, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics:
A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread.
"Holy Mother of God!" Úrsula shouted.
The story follows 100 years in the life of Macondo, a village founded by José Arcadio Buendía and occupied by descendants all sporting variations on their progenitor's name: his sons, José Arcadio and Aureliano, and grandsons, Aureliano José, Aureliano Segundo, and José Arcadio Segundo. Then there are the women--the two Úrsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of García Márquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom José Arcadio Buendía has killed in a fight. So lonely is the man's shade that it haunts Buendía's house, searching anxiously for water with which to clean its wound. Buendía's wife, Úrsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house."
With One Hundred Years of Solitude Gabriel García Márquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber
Amazon Price: (as of 08/19/2008)
The Heart Is a Lonely Hunter (Oprah's Book Club)
With the publication of her first novel, THE HEART IS A LONELY HUNTER, Carson McCullers, all of twenty-three, became a literary sensation. With its profound sense of moral isolation and its compassionate glimpses into its characters' inner lives, the novel is considered McCullers' finest work, an enduring masterpiece first published by Houghton Mifflin in 1940. At its center is the deaf-mute John Singer, who becomes the confidant for various types of misfits in a Georgia mill town during the 1930s. Each one yearns for escape from small town life. When Singer's mute companion goes insane, Singer moves into the Kelly house, where Mick Kelly, the book's heroine (and loosely based on McCullers), finds solace in her music. Wonderfully attuned to the spiritual isolation that underlies the human condition, and with a deft sense for racial tensions in the South, McCullers spins a haunting, unforgettable story that gives voice to the rejected, the forgotten, and the mistreated -- and, through Mick Kelly, gives voice to the quiet, intensely personal search for beauty. Richard Wright praised Carson McCullers for her ability "to rise above the pressures of her environment and embrace white and black humanity in one sweep of apprehension and tenderness." She writes "with a sweep and certainty that are overwhelming," said the NEW YORK TIMES. McCullers became an overnight literary sensation, but her novel has endured, just as timely and powerful today as when it was first published. THE HEART IS A LONELY HUNTER is Carson McCullers at her most compassionate, endearing best.
Amazon Price: $10.36 (as of 08/19/2008)
Anna Karenina (Oprah's Book Club)
Anna Karenina tells of the doomed love affair between the sensuous and rebellious Anna and the dashing officer, Count Vronsky. Tragedy unfolds as Anna rejects her passionless marriage and must endure the hypocrisies of society. Set against a vast and richly textured canvas of nineteenth-century Russia, the novel's seven major characters create a dynamic imbalance, playing out the contrasts of city and country life and all the variations on love and family happiness. While previous versions have softened the robust, and sometimes shocking, quality of Tolstoy's writing, Pevear and Volokhonsky have produced a translation true to his powerful voice. This award-winning team's authoritative edition also includes an illuminating introduction and explanatory notes. Beautiful, vigorous, and eminently readable, this Anna Karenina will be the definitive text for generations to come.
Amazon Price: $10.88 (as of 08/19/2008)
The Good Earth (Oprah's Book Club)
Though more than sixty years have passed since this remarkable novel won the Pulitzer Prize, it has retained its popularity and become one of the great modern classics. "I can only write what I know, and I know nothing but China, having always lived there," wrote Pearl Buck. In The Good Earth she presents a graphic view of a China when the last emperor reigned and the vast political and social upheavals of the twentieth century were but distant rumblings for the ordinary people. This moving, classic story of the honest farmer Wang Lung and his selfless wife O-lan is must reading for those who would fully appreciate the sweeping changes that have occurred in the lives of the Chinese people during this century.
Nobel Prize winner Pearl S. Buck traces the whole cycle of life: its terrors, its passions, its ambitions and rewards. Her brilliant novel -- beloved by millions of readers -- is a universal tale of the destiny of man.
Amazon Price: $10.20 (as of 08/19/2008)
2003
East of Eden
No writer is more quintessentially American than John Steinbeck. Born in 1902 in Salinas, California, Steinbeck attended Stanford University before working at a series of mostly blue-collar jobs and embarking on his literary career. Profoundly committed to social progress, he used his writing to raise issues of labor exploitation and the plight of the common man, penning some of the greatest American novels of the twentieth century and winning such prestigious awards as the Pulitzer Prize and the National Book Award. He received the Nobel Prize in 1962, "for his realistic and imaginative writings, combining as they do sympathetic humour and keen social perception." Today, more than thirty years after his death, he remains one of America's greatest writers and cultural figures.
Amazon Price: $11.56 (as of 08/19/2008)
Cry, the Beloved Country (Oprah's Book Club)
Cry, the Beloved Country is a beautifully told and profoundly compassionate story of the Zulu pastor Stephen Kumalo and his son Absalom, set in the troubled and changing South Africa of the 1940s. The book is written with such keen empathy and understanding that to read it is to share fully in the gravity of the characters' situations. It both touches your heart deeply and inspires a renewed faith in the dignity of mankind. Cry, the Beloved Country is a classic tale, passionately African, timeless and universal, and beyond all, selfless.
Amazon Price: $10.20 (as of 08/19/2008)
2002
Sula (Oprah's Book Club)
Toni Morrison's first novel, The Bluest Eye (1970), was acclaimed as the work of an important talent, written--as John Leonard said in The New York Times--in a prose "so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry."
Her new novel has the same power, the same beauty.
At its center--a friendship between two women, a friendship whose intensity first sustains, then injures. Sula and Nel--both black, both smart, both poor, raised in a small Ohio town--meet when they are twelve, wishbone thin and dreaming of princes.
Through their girlhood years they share everything--perceptions, judgments, yearnings, secrets, even crime--until Sula gets out, out of the Bottom, the hilltop neighborhood where beneath the sporting life of the men hanging around the place in headrags and soft felt hats there hides a fierce resentment at failed crops, lost jobs, thieving insurance men, bug-ridden flour...at the invisible line that cannot be overstepped.
Sula leaps it and roams the cities of America for ten years. Then she returns to the town, to her friend. But Nel is a wife now, settled with her man and her three children. She belongs. She accommodates to the Bottom, where you avoid the hand of God by getting in it, by staying upright, helping out at church suppers, asking after folks--where you deal with evil by surviving it.
Not Sula. As willing to feel pain as to give pain, she can never accommodate. Nel can't understand her any more, and the others never did. Sula scares them. Mention her now, and they recall that she put her grandma in an old folks' home (the old lady who let a train take her leg for the insurance)...that a child drowned in the river years ago...that there was a plague of robins when she first returned...
In clear, dark, resonant language, Toni Morrison brilliantly evokes not only a bond between two lives, but the harsh, loveless, ultimately mad world in which that bond is destroyed, the world of the Bottom and its people, through forty years, up to the time of their bewildered realization that even more than they feared Sula, their pariah, they needed her.
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Fall On Your Knees (Oprah's Book Club)
A sprawling saga about five generations of a family from Cape Breton, Nova Scotia, Fall on Your Knees is the impressive first fiction from Canadian playwright and actor Ann-Marie MacDonald. This epic tale of family history, family secrets, and music centers on four sisters and their relationships with each other and with their father. Set in the coal-mining communities of Nova Scotia in the early part of this century, the story also shifts to the battlefields of World War I and the jazz scene of New York City in the 1920s.
Amazon Price: $10.88 (as of 08/19/2008)
2001
A Fine Balance (Oprah's Book Club)
The setting of Mistry's quietly magnificent second novel (after the acclaimed Such a Long Journey) is India in 1975-76, when Prime Minister Indira Gandhi, defying a court order calling for her resignation, declares a state of emergency and imprisons the parliamentary opposition as well as thousands of students, teachers, trade unionists and journalists. These events, along with the government's forced sterilization campaign, serve as backdrop for an intricate tale of four ordinary people struggling to survive. Naive college student Maneck Kohlah, whose parents' general store is failing, rents a room in the house of Dina Dalal, a 40-ish widowed seamstress. Dina acquires two additional boarders: hapless but enterprising itinerant tailor Ishvar Darji and his nephew Omprakash, whose father, a village untouchable, was murdered as punishment for crossing caste boundaries. With great empathy and wit, the Bombay-born, Toronto-based Mistry evokes the daily heroism of India's working poor, who must cope with corruption, social anarchy and bureaucratic absurdities. Though the sprawling, chatty narrative risks becoming as unwieldy as the lives it so vibrantly depicts, Mistry combines an openness to India's infinite sensory detail with a Dickensian rendering of the effects of poverty, caste, envy, superstition,corruption and bigotry. His vast, wonderfully precise canvas poses, but cannot answer, the riddle of how to transform a corrupt, ailing society into a healthy one.
Copyright 1996 Reed Business Information, Inc.
Amazon Price: $10.85 (as of 08/19/2008)
The Corrections: A Novel
Jonathan Franzen's exhilarating novel The Corrections tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler's, only bitter. Franzen's great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody's lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip's sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen's satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts.... Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map. --Tim Appelo --This text refers to an out of print or unavailable edition of this title.
Amazon Price: $10.20 (as of 08/19/2008)
Cane River (Oprah's Book Club)
Lalita Tademy lives in Menlo Park, California.
Amazon Price: $6.99 (as of 08/19/2008)
Stolen Lives: Twenty Years in a Desert Jail (Oprah's Book Club)
At the age of 5, Malika Oufkir, eldest daughter of General Oufkir, was adopted by King Muhammad V of Morocco and sent to live in the palace as part of the royal court. There she led a life of unimaginable privilege and luxury alongside the king's own daughter. King Hassan II ascended the throne following Muhammad V's death, and in 1972 General Oufkir was found guilty of treason after staging a coup against the new regime, and was summarily executed. Immediately afterward, Malika, her mother, and her five siblings were arrested and imprisoned, despite having no prior knowledge of the coup attempt.
They were first held in an abandoned fort, where they ate moderately well and were allowed to keep some of their fine clothing and books. Conditions steadily deteriorated, and the family was eventually transferred to a remote desert prison, where they suffered a decade of solitary confinement, torture, starvation, and the complete absence of sunlight. Oufkir's horrifying descriptions of the conditions are mesmerizing, particularly when contrasted with her earlier life in the royal court, and many graphic images will long haunt readers. Finally, teetering on the edge of madness and aware that they had been left to die, Oufkir and her siblings managed to tunnel out using their bare hands and teaspoons, only to be caught days later. Her account of their final flight to freedom makes for breathtaking reading. Stolen Lives is a remarkable book of unfathomable deprivation and the power of the human will to survive. --This text refers to the Hardcover edition.
Amazon Price: $11.20 (as of 08/19/2008)
Icy Sparks (Oprah's Book Club) (Oprah's Book Club)
The eponymous heroine of Gwyn Rubio's Icy Sparks is only 10 years old the first time it happens. The sudden itching, the pressure squeezing her skull, and the "little invisible rubber bands" attached to her eyelids are all symptoms of Tourette's syndrome. At this point, of course, Icy doesn't yet have a name for these unsettling impulses. But whenever they become too much to resist, she runs down to her grandparents' root cellar, and there she gives in, croaking, jerking, cursing, and popping her eyes. Nicknamed the "frog child" by her classmates, Icy soon becomes "a little girl who had to keep all of her compulsions inside." Only a brief confinement at the Bluegrass State Hospital persuades her that there are actually children more "different" than she.
As a first novel about growing up poor, orphaned, and prone to fits in a small Appalachian town, Icy Sparks tells a fascinating story. By the time the epilogue rolls around, Icy has prevailed over her disorder and become a therapist: "Children silent as stone sing for me. Children who cannot speak create music for me." For readers familiar with this particular brand of coming-of-age novel--affliction fiction?--Icy's triumph should come as no great surprise. That's one problem. Another is Rubio's tendency to lapse into overheated prose: this is a novel in which the characters would sooner yell, pout, whine, moan, or sass a sentence than simply say it. But the real drawback to Icy Sparks is that some of the characters--especially the bad ones--are drawn with very broad strokes indeed, and the moral principles tend to be equally elementary: embrace your difference, none of us is alone, and so on. When Icy gets saved at a tent revival, even Jesus takes on the accents of a self-help guru: "You must love yourself!" With insights like these, this is one Southern novel that's more Wally Lamb than Harper Lee. --Mary Park
Amazon Price: $11.16 (as of 08/19/2008)
We Were the Mulvaneys (Oprah's Book Club)
A happy family, the Mulvaneys. After decades of marriage, Mom and Dad are still in love--and the proud parents of a brood of youngsters that includes a star athlete, a class valedictorian, and a popular cheerleader. Home is an idyllic place called High Point Farm. And the bonds of attachment within this all-American clan do seem both deep and unconditional: "Mom paused again, drawing in her breath sharply, her eyes suffused with a special lustre, gazing upon her family one by one, with what crazy unbounded love she gazed upon us, and at such a moment my heart would contract as if this woman who was my mother had slipped her fingers inside my rib cage to contain it, as you might hold a wild, thrashing bird to comfort it."
But as we all know, Eden can't last forever. And in the hands of Joyce Carol Oates, who's chronicled just about every variety of familial dysfunction, you know the fall from grace is going to be a doozy. By the time all is said and done, a rape occurs, a daughter is exiled, much alcohol is consumed, and the farm is lost. Even to recount these events in retrospect is a trial for the Mulvaney offspring, one of whom declares: "When I say this is a hard reckoning I mean it's been like squeezing thick drops of blood from my veins." In the hands of a lesser writer, this could be the stuff of a bad television movie. But this is Oates's 26th novel, and by now she knows her material and her craft to perfection. We Were the Mulvaneys is populated with such richly observed and complex characters that we can't help but care about them, even as we wait for disaster to strike them down. --Anita Urquhart
Amazon Price: $10.88 (as of 08/19/2008)
2000
House of Sand and Fog (Oprah's Book Club) (Vintage Contemporaries)
Andre Dubus III wastes no time in capturing the dark side of the immigrant experience in America at the end of the 20th century. House of Sand and Fog opens with a highway crew composed of several nationalities picking up litter on a hot California summer day. Massoud Amir Behrani, a former colonel in the Iranian military under the Shah, reflects on his job-search efforts since arriving in the U.S. four years before: "I have spent hundreds of dollars copying my credentials; I have worn my French suits and my Italian shoes to hand-deliver my qualifications; I have waited and then called back after the correct waiting time; but there is nothing." The father of two, Behrani has spent most of the money he brought with him from Iran on an apartment and furnishings that are too expensive, desperately trying to keep up appearances in order to enhance his daughter's chances of making a good marriage. Now the daughter is married, and on impulse he sinks his remaining funds into a house he buys at auction, thus unwittingly putting himself and his family on a trajectory to disaster. The house, it seems, once belonged to Kathy Nicolo, a self-destructive alcoholic who wants it back. What starts out as a legal tussle soon escalates into a personal confrontation--with dire results.
Dubus tells his tragic tale from the viewpoints of the two main adversaries, Behrani and Kathy. To both of them, the house represents something more than just a place to live. For the colonel, it is a foot in the door of the American dream; for Kathy, a reminder of a kinder, gentler past. In prose that is simple yet evocative, House of Sand and Fog builds to its inevitable denouement, one that is painfully dark but unfailingly honest. --Alix Wilber
Amazon Price: $10.17 (as of 08/19/2008)
Drowning Ruth: A Novel (Oprah's Book Club)
For 19th-century novelists--from Jane Austen to George Eliot, Flaubert to Henry James--social constraint gave a delicious tension to their plots. Yet now our relaxed morals and social mobility have rendered many of the classics untenable. Why shouldn't Maisie know what she knows? It will all come out in family therapy anyway. The vogue for historical novels depends in part on our pleasure in reentering a world of subtle cues and repressed emotion, a time in which a young woman could destroy her life by saying yes to the wrong man. After all, there was no reliable birth control, no divorce, no chance of an independent life or a scandal-free separation.
Christina Schwarz's suspenseful debut pivots on two of the lost "virtues" of the past: silence and stoicism. Drowning Ruth opens in 1919, on the heels of the influenza epidemic that followed the First World War. Although there were telephones and motor cars and dance halls in the small towns of Wisconsin in those years, the townspeople remained rigid and forbidding. As a young woman, Amanda Starkey, a Lutheran farmer's daughter, had been firmly discouraged from an inappropriate marriage with a neighboring Catholic boy. A few years later, as a nurse in Milwaukee, she is seduced by a dishonorable man. Her shame sends her into a nervous breakdown, and she returns to the family farm. Within a year, though, her beloved sister Mathilde drowns under mysterious circumstances. And when Mathilde's husband, Carl, returns from the war, he finds his small daughter, Ruth, in Amanda's tenacious grip, and she will tell him nothing about the night his wife drowned. Amanda's parents, too, are long gone. "I killed my parents. Had I mentioned that?" muses Amanda.
I killed them because I felt a little fatigued and suffered from a slight, persistent cough. Thinking I was overworked and hadn't been getting enough sleep, I went home for a short visit, just a few days to relax in the country while the sweet corn and the raspberries were ripe. From the city I brought fancy ribbon, two boxes of Ambrosia chocolate, and a deadly gift... I gave the influenza to my mother, who gave it to my father, or maybe it was the other way around."
Schwarz is a skillful writer, weaving her grim tale across several decades, always returning to the fateful night of Mathilde's death. Drowning Ruth displays her gift for pacing and her harsh insistence on the right ending, rather than the cheery one. --Regina Marler
Amazon Price: $10.17 (as of 08/19/2008)
Open House: A Novel (Oprah's Book Club)
The narrator of Elizabeth Berg's Open House calls divorce "a series of internal earthquakes ... one after the other." She ought to know. Samantha is abandoned by her husband in the opening pages of this three-handkerchief special, and the resultant tremors keep her off-balance for most of the novel. There are practical problems aplenty, of course, including a shortage of money and an 11-year-old son to raise. But Sam's sense of emotional bereavement is far worse, despite the fact that her husband had been giving her the conjugal cold shoulder for years:
I miss David so much, yes I do, I miss the presence of another person in my bed at night, even if he doesn't touch me; the reliability of someone else being there in the morning, even if they only shave and stare straight ahead into the mirror while you lean against the bathroom doorjamb with your cup of coffee, chatting hopefully.
The loneliness in her "as constant and as irrefutable" as circulating blood, Sam begins to rebuild her life. She finds herself a job and takes in a couple of boarders to help meet her mortgage payments. (One of them, a depressed student named Lavender Blue, informs her that "life was nothing but one major disappointment after the other"--the sort of homily that Sam is understandably reluctant to hear these days.) She also starts dating, with disastrous results. Yet this comically kvetching heroine does manage to find love in the ruins, and by the time Open House winds down, it's hard not to believe that she's much better off. Throughout, Berg alternates her snappy and sappy registers like a real pro. And the conclusion, which most readers will be able to spot a mile off, seems just right--the light at the end of the post-matrimonial tunnel. --Anita Urquhart --This text refers to an out of print or unavailable edition of this title.
Amazon Price: $10.17 (as of 08/19/2008)
The Poisonwood Bible: A Novel (P.S.)
The narrator of Elizabeth Berg's Open House calls divorce "a series of internal earthquakes ... one after the other." She ought to know. Samantha is abandoned by her husband in the opening pages of this three-handkerchief special, and the resultant tremors keep her off-balance for most of the novel. There are practical problems aplenty, of course, including a shortage of money and an 11-year-old son to raise. But Sam's sense of emotional bereavement is far worse, despite the fact that her husband had been giving her the conjugal cold shoulder for years:
I miss David so much, yes I do, I miss the presence of another person in my bed at night, even if he doesn't touch me; the reliability of someone else being there in the morning, even if they only shave and stare straight ahead into the mirror while you lean against the bathroom doorjamb with your cup of coffee, chatting hopefully.
The loneliness in her "as constant and as irrefutable" as circulating blood, Sam begins to rebuild her life. She finds herself a job and takes in a couple of boarders to help meet her mortgage payments. (One of them, a depressed student named Lavender Blue, informs her that "life was nothing but one major disappointment after the other"--the sort of homily that Sam is understandably reluctant to hear these days.) She also starts dating, with disastrous results. Yet this comically kvetching heroine does manage to find love in the ruins, and by the time Open House winds down, it's hard not to believe that she's much better off. Throughout, Berg alternates her snappy and sappy registers like a real pro. And the conclusion, which most readers will be able to spot a mile off, seems just right--the light at the end of the post-matrimonial tunnel. --Anita Urquhart --This text refers to an out of print or unavailable edition of this title.
Amazon Price: $10.17 (as of 08/19/2008)
While I Was Gone (Oprah's Book Club)
In her still startling debut, The Good Mother, Sue Miller explored the premium we put on passion--and the terrible burden it places on a mother and child. Her fourth novel, While I Was Gone, is another study in familial crime and punishment. But this time, her wife and good mother is accessory to more than emotional malfeasance. Jo Becker has everything a woman could desire: a loving spouse, contented children, and a nice dog or two. When her New England veterinary practice takes on a new client, however, her past comes back to haunt her. Long ago, it seems, Jo had escaped her family and identity for a commune in Cambridge. Her Aquarian illusions came to an abrupt, bloody end when one of her housemates was brutally murdered.
Now this unhappy era returns in the person of Eli Mayhew, who had been the odd man out in Jo's boho household. His appearance is both tantalizing and upsetting: "Inside, I slowed down. I felt numbed. I had two last patients, and then I told Beattie to go home, that I'd close up.... I refiled the last charts, sprayed and wiped the examining table. I reviewed my list of routine surgeries for Wednesday. All the while I was thinking of Eli Mayhew, and of Dana and Larry and Duncan and me, and our lives in the house. Of the horrible way it had all ended." Sue Miller's fine novel is a penetrating--and sensuous--portrait of a woman besieged by her conscience. While I Was Gone also demonstrates that in the face of distance and betrayal, a little knowledge can be a dangerous thing indeed. --Winnie Wheaton --This text refers to an out of print or unavailable edition of this title.
Amazon Price: $10.17 (as of 08/19/2008)
The Bluest Eye (Oprah's Book Club)
Originally published in 1970, The Bluest Eye is Toni Morrison's first novel. In an afterword written more than two decades later, the author expressed her dissatisfaction with the book's language and structure: "It required a sophistication unavailable to me." Perhaps we can chalk up this verdict to modesty, or to the Nobel laureate's impossibly high standards of quality control. In any case, her debut is nothing if not sophisticated, in terms of both narrative ingenuity and rhetorical sweep. It also shows the young author drawing a bead on the subjects that would dominate much of her career: racial hatred, historical memory, and the dazzling or degrading power of language itself.
Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:
You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.... And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.
There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is--yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye.
This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one. --James Marcus --This text refers to the Hardcover edition.
Amazon Price: $11.20 (as of 08/19/2008)
Back Roads (Oprah's Book Club)
Not since S.E. Hinton (The Outsiders) has a female novelist penned such a tough and titillating portrait of lower-class, crime-ridden manhood. Set in "beautiful, ruined" western Pennsylvania, amid Eat n' Parks and Lick n' Putts, Tawni O'Dell's Back Roads follows Harley Altmyer as he walks a raging, self-conscious line between crime and innocence. Why is he being held by the authorities, and what's he so mad about? In the recent past, it's his mother, who murdered his father and went to jail for life. In the far past, it's Dad himself: an abusive, hopeless man. In the present, it's the responsibility for his three younger sisters, which makes him fantasize about smashing their faces in until they "spit up bloody macaroni and cheese."
But Harley still has a conscience--barely. He doesn't strike his sisters; he's been trying to protect them. The oldest is sassy Amber, 16, who's having sex on the living-room couch with townies who abuse her; next is frighteningly stoic 12-year-old Misty, with eyes "a glazed brown like a medicine bottle"; the youngest is adorable Jody, who at 6 pens to-do lists with items such as "PRAY FOR DADDYS SOWL." Overburdened with the practicalities of life, and the ever-mounting losses, Harley has started seeing his own words floating in the air in front of his face. "CLOSURE. TRUTH. MOST GUYS."
This first novel opens well. O'Dell does an impeccable job of making Harley both brutal and forgivable. Here, for instance, he retreats to his basement room: "I lay there until dawn, thinking about Dad, and feeling the same useless frustration I had felt the first time I had seen him piss on a sparkling white drift of pure new snow."
But that delicacy is soon lost, and Back Roads risks becoming an overabundant affair, pitched high, with a roller-coaster trajectory. Harley's anger metamorphoses into an almost bloodthirsty lust for his sexy, middle-aged neighbor, which stirs up myriad forbidden family secrets. Misty, it turns out, has been hiding something. Amber revolts. And even Jody's scribbles turn malevolent. While the writing is good throughout, the tension and plotting assume an unpleasant adolescent posture--bodice-ripping passion and mordant gloom combined. Nonetheless, O'Dell's assured and touching portrait of her protagonist emerges unscathed. You will likely remember luckless, fated Harley Altmyer long after his tsunamic tale has receded. And no matter what the judge decides, you will understand why this impoverished, angry young man was probably the most innocent one of all. --Jean Lenihan
Amazon Price: (as of 08/19/2008)
Gap Creek : The Story Of A Marriage (Oprah's Book Club) (Oprah's Book Club)
Robert Morgan's Gap Creek opens with one wrenching death and ends with another. In between, this novel of turn-of-the-century Appalachian life works in fire, flood, swindlers, sickness, and starvation--a truly biblical assortment of plagues, all visited on the sturdy shoulders of 17-year-old Julie Harmon. "Human life don't mean a thing in this world," she concludes. And who could blame her? "People could be born and they could suffer, and they could die, and it didn't mean a thing.... The world was exactly like it had been and would always be, going on about its business." For Julie, that business is hard physical labor. Fortunately, she's fully capable of working "like a man"--splitting and hauling wood, butchering hogs, rendering lard, planting crops, and taking care of the stock. Even when Julie meets and marries handsome young Hank Richards, there's no happily-ever-after in store. Nothing comes easy in Julie Harmon's world, and their first year together is no exception.
Throughout the novel, Morgan chronicles Julie's trials in prose of great dignity and clarity, capturing the rhythms of North Carolina speech by using only the subtlest of inflections. Clearly the author has done his research too--the descriptions of physical labor practically leap off the page. (Suffice to say, you'll learn far more about hog slaughtering than you ever dreamed of knowing.) Yet he resists the temptation to make his long-suffering characters into saints. Julie simmers with resentment at being her family's workhorse, and Hank flies into a helpless rage whenever he feels that his authority is questioned. In novels like The Truest Pleasure and The Hinterlands, Morgan proved his ability to create memorable heroines. In Gap Creek, he writes with great feeling--but not a touch of sentimentality--about a life Julie aptly calls "both simple and hard." --This text refers to the Hardcover edition.
Amazon Price: $11.20 (as of 08/19/2008)
1999
A Map of the World (Oprah's Book Club)
In A Map of the World, appearance overwhelms reality and communal hysteria threatens common sense. Howard and Alice Goodheart, the couple at the center of Jane Hamilton's 1994 novel, have labored mightily to create a pastoral paradise in a Wisconsin subdivision. Their 400-acre dairy farm is the last in Prairie Center, and they're working flat out to raise their two young girls in a traditionally bucolic manner. Yet paradoxically, they strike their neighbors as unacceptably modern, and have been treated as interlopers since the day of their arrival. Howard, in love with his vocation, chooses not to believe that they've been frozen out. But Alice, flinty and quick to judge, finds things harder. And her job as school nurse doesn't work wonders for her reputation either. Happily, there's one exception to this epidemic of unfriendliness: their closest neighbors. Theresa and Dan, who also have two young daughters, function as a virtual lifeline for the embattled family.
But in June 1990, whatever idyll the Goodhearts have worked for comes to a permanent end. On a beautiful morning--marred by her 5-year-old's tantrum but still recuperable--Alice looks forward to taking her children and Theresa's youngest for a swim. Distracted for several minutes, she has no idea that the 2-year-old is no longer in the house:
Lizzy had run to the pond and splashed in. It had felt good on her hot feet and she kept running and then she was pedaling and pedaling. She tried to grab hold of the water, pawing for the metal bar, a ladder rung, her mother, but there was nothing. She clutched and flailed.... She sank. The trout that Howard had stocked in the pond swam along through the dark water. They noticed Lizzy out of the corner of their eyes. They had inherited the knowledge of that look, and they knew it by heart.
This is only the first of Alice's body blows. Next, she's questioned about one of her students, a memorably bad seed. On the verge of collapse, she cries out, "I hurt everybody!"--which will later be construed as a confession. Charged with sexual abuse and unable to come up with $100,000 in bail, she is forced to await trial in jail.
Narrated first by Alice, then Howard, and then Alice again, A Map of the World moves from intimate domesticity to courtroom drama with grace and subtlety. Hamilton wrote her book when accusations of abuse in schools and day care were peaking, yet this is not a modish work or an "issue novel" but a lasting creation of several complex lives. At one point, fed up with civil mechanisms, Alice tells her lawyer: "'Let Oprah be the judge.... Let Robbie and me, Mrs. Mackessy, Howard, Theresa, Dan, Mrs. Glevitch--let all of us come before Oprah. Let the studio audience decide. They're nice suburban woman, many of them, dressed for a lark. They have common sense and speak their minds.'" Apparently La Winfrey was listening, since she chose this beautifully observed novel for her book club. --Kerry Fried --This text refers to an out of print or unavailable edition of this title.
Amazon Price: $11.16 (as of 08/19/2008)
Vinegar Hill (P.S.)
Vinegar Hill is an appropriate address for the characters who populate A. Manette Ansay's novel of the same name. After all, when Ellen Grier and her family return to the rural hamlet of Holly's Field, Wisconsin, it's not exactly a happy homecoming. Her husband, James, has been laid off from his job in Illinois. And for the moment, the family has moved in with Ellen's in-laws, Fritz and Mary-Margaret, an unhappy pair who dislike their daughter-in-law almost as much as they despise each other:
The first time Ellen sat at this table she was twenty years old, bright-cheeked after a spring afternoon spent walking along the lakefront with James, planning their upcoming wedding. It was 1959 and she was eager to make a good impression. She didn't know then that Mary-Margaret disliked her, that she was considered Jimmy's mistake.
Thirteen years later, in 1972, Ellen is back at the table with no escape in sight. Both she and her husband do find work. Yet James seems to settle a tad too easily into his old life, and shows no interest in finding a place of their own. Even worse, his job takes him away from home for weeks at a time, leaving Ellen to cope with her abusive in-laws.
In Vinegar Hill Ansay paints a searing portrait of the Midwest's dark side, of a rural culture infected with despair and ruled over by an unforgiving God. Yet she does hold out a grain of hope, too. Just as Ellen seems permanently entangled in familial desperation, she makes a surprising discovery about James's long-dead grandmother--a woman whose rebellious spirit inspires Ellen to rescue herself and her loved ones from the impinging darkness. This late-breaking redemption doesn't cancel out the preceding unhappiness: Vinegar Hill remains a tough, uncompromising tale, one that requires some fortitude to read. But those with the heart for it will be rewarded with fine, spare prose and a hopeful ending. --Alix Wilber --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Set in 1972, Ansay's debut novel revolves around Ellen Grier's struggle for liberation-liberation from her marriage to James, from her virtual enslavement to her sanctimonious, cruel in-laws and from what she see as the stultifying demands of her religion, Roman Catholicism. Financial difficulties have forced James and Ellen, along with their two children, to move back to the small Wisconsin town where they grew up and where they now share an acrimonious and joyless life with James's parents. Virtually every character is victimized by a private misery that causes pain and alienation and that in turn victimizes others. Ansay, who teaches creative writing at Vanderbilt, is adept at delineating these worlds of suffering, and her language can be both apt and beautiful. But she offers too many descriptions of the nightmares and waking bad dreams that seem to afflict all of her characters, and the reader begins to share the sense of being caught in a bad dream. As the story concentrates more on Ellen's search for identity-a familiar tale presented here in a familiar way-this sense of nightmare is intensified by an impression of deja vu. Though uneven, the novel offers glimpses of Ansay's potential to deliver a more coherent book next time.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Amazon Price: $11.16 (as of 08/19/2008)
River, Cross My Heart (Oprah's Book Club)
Breena Clarke's first novel takes place in Georgetown in 1925, where a large and close-knit African American community took shape beneath the shadow of segregation. At the center of the story is baby Clara, who is swallowed by the Potomac as her sister, Johnnie Mae, cools off in the brackish water. It's the only place the girls can find relief--they're banned from the new, clean swimming pool the white kids use.
After Clara drowns, the river is never the same, and Johnnie Mae hovers on the edge of womanhood wondering if she'll be able to get past her guilt and emptiness. In an eloquent passage, Clarke writes, "Losing a loved one, a family member, is like losing a tooth. After a while, those teeth remaining shift and lean and spread out to split the distance between themselves and the other teeth still left, trying to close up spaces."
Bits of wisdom like this are the book's charm. Most remarkable are the church scenes, which Clarke renders almost purely in the give-and-take of voices: the booming preacher's sermon ("The people we love, we only borrowing them"), and the congregation's "Praise Jesus, Amen" exclamations. The author based her novel on stories passed down in Georgetown--tales of that area's first black churches, founded when people decided they wanted their own place of worship, and implicitly their own God. In church the novel takes flight. Elsewhere River, Cross My Heart suffers from clumsy, purple prose, and a plot that moves forward in labored fits and starts. Clarke painstakingly tries to re-create this past world, but sometimes it seems her duty to history is holding her back, bogging her down in period-piece details. In the effortless church scenes, history loses its gravity and is absorbed by grace. --Emily White --
Amazon Price: (as of 08/19/2008)
Tara Road (Oprah's Book Club)
Against all odds, two newlyweds manage to buy the house of their dreams. In 1982, property speculation is beginning to be a big, big thing in Dublin--and their street is very much in an up-and-coming part of town. "They laughed and hugged each other. Danny Lynch from the broken-down cottage in the back of beyond and Ria Johnson from the corner house in the big, shabby estate were not only living like gentry in a big Tara Road mansion, they were actually debating what style of dining table to buy." But for its various inhabitants, the street is to become a boulevard of dreams--some broken, others created anew. Maeve Binchy has long proved herself a secure hand at multiple story lines, and over the course of 500 satisfying pages she focuses on Ria; her best friend, Rosemary Ryan, a beautiful, endlessly selfish career woman; Gertie, the battered wife of a drunkard; and several other intriguing women, each of whom has secrets not to be shared. There is even an all-knowing fortune teller who early on hints that Ria will travel and start a successful business--two things she knows are definitely not in the offing.
Yet after our supposedly happy housewife and mother of two is confronted by some inexorable home truths, a chance phone call from America will change her life, forcing her to discard her illusions about men, women, and marriage and start all over again. At the same time, the Connecticut caller, Marilyn Vine, has her own lessons to learn when she and Ria swap houses for the summer. Yet there's nothing remotely preachy about this novel--even the bad guys (and yes, they're usually guys) and beautiful mistresses get to maintain some appeal. Instead, Tara Road is a stirring look at the reality behind our consuming fantasies, and a page-turner to boot. --Siobhan Carson --
Amazon Price: $7.99 (as of 08/19/2008)
Mother of Pearl
Twenty-eight-year-old Even Grade is a black man who was orphaned as a child; 15-year-old Valuable Korner is a white girl who might as well have been. Petal, Mississippi, circa 1956, seems an unlikely spot for these two to connect, but it soon becomes apparent in Mother of Pearl that a friendship across race lines is just one of many miracles waiting to happen in this small Southern town. Melinda Haynes's remarkable debut novel begins in a hot August, when young Val's lifelong friendship with Jackson McClain is starting to change into something more profound, and Even is falling crazy in love with Joody Two Sun, a mixed-race woman with amazing powers.
Woven in and around these two central love stories are myriad other characters, other tales. There is 16-year-old Joleb Green, for example, whose mother was incapacitated by a stroke when he was born, and who was raised by the black housekeeper, Grace. There is Even's friend Canaan, an older black man who spends his time reading Greek tragedy and writing his work "The Reality of the Negro"; Valuable's mother, Enid, the town whore; and Neva and Bea, a lesbian couple who have helped to raise the girl. Until this year, blacks and whites have occupied separate universes, for the most part; then Joleb Green suffers a terrible accident, and it is Joody Two Sun who saves his life and Grace who restores his soul. At the same time, a pregnant Val arrives on Joody and Even's doorstep, hungry for the understanding and acceptance she cannot find at home. Though at first Even is resistant, Val's humanity soon transcends her color in his mind:
Even chuckled and shook his head, happy for a reason he couldn't distinguish other than at that moment of Canaan's near-perfect cast, all seemed right with the world, as right as a thing can be what with a white girl camped out in the middle of the Quarter with no plans of leaving.
Gradually, without really intending it, Joleb, Val, Even, Joody, Grace, and Canaan form something that looks suspiciously like a family--a relationship that will soon be tested to the limit when Val's baby is born.
Melinda Haynes has taken on a Herculean task, crafting a multicharacter story that reaches across racial barriers to encompass an entire community. She doesn't shy away from the ugliness in life--bigotry of every stripe, mean-spiritedness, betrayal, thoughtless cruelty, and death--but what interests her is the potential of the human heart to find space within itself for the most unexpected people. With its strong, lyrical language and fully realized characters, Mother of Pearl is a fine novel and a terrific introduction to a new literary voice. --Alix Wilber
Amazon Price: (as of 08/19/2008)
White Oleander: A Novel
Astrid Magnussen, the teenage narrator of Janet Fitch's engrossing first novel, White Oleander, has a mother who is as sharp as a new knife. An uncompromising poet, Ingrid despises weakness and self-pity, telling her daughter that they are descendants of Vikings, savages who fought fiercely to survive. And when one of Ingrid's boyfriends abandons her, she illustrates her point, killing the man with the poison of oleander flowers. This leads to a life sentence in prison, leaving Astrid to teach herself the art of survival in a string of Los Angeles foster homes.
As Astrid bumps from trailer park to tract house to Hollywood bungalow, White Oleander uncoils her existential anxieties. "Who was I, really?" she asks. "I was the sole occupant of my mother's totalitarian state, my own personal history rewritten to fit the story she was telling that day. There were so many missing pieces." Fitch adroitly leads Astrid down a path of sorting out her past and identity. In the process, this girl develops a wire-tight inner strength, gains her mother's white-blonde beauty, and achieves some measure of control over their relationship. Even from prison, Ingrid tries to mold her daughter. Foiling her, Astrid learns about tenderness from one foster mother and how to stand up for herself from another. Like the weather in Los Angeles--the winds of the Santa Anas, the scorching heat--Astrid's teenage life is intense. Fitch's novel deftly displays that, and also makes Astrid's life meaningful. --Katherine Anderson --
Amazon Price: (as of 08/19/2008)
The Pilot's Wife (Oprah's Book Club)
With five novels to her credit, including the acclaimed The Weight of Water, Anita Shreve now offers a skillfully crafted exploration of the long reach of tragedy in The Pilot's Wife. News of Jack Lyons's fatal crash sends his wife into shock and emotional numbness:
Kathryn wished she could manage a coma. Instead, it seemed that quite the opposite had happened: She felt herself to be inside of a private weather system, one in which she was continuously tossed and buffeted by bits of news and information, sometimes chilled by thoughts of what lay immediately ahead, thawed by the kindness of others ... frequently drenched by memories that seemed to have no regard for circumstance or place, and then subjected to the nearly intolerable heat of reporters, photographers and curious on-lookers. It was a weather system with no logic, she had decided, no pattern, no progression, no form.
The situation becomes even more dire when the plane's black box is recovered, pinning responsibility for the crash on Jack. In an attempt to clear his name, Kathryn searches for any and all clues to the hours before the flight. Yet each discovery forces her to realize that she didn't know her husband of 16 years at all. Shreve's complex and highly convincing treatment of Kathryn's dilemma, coupled with intriguing minor characters and an expertly paced plot, makes The Pilot's Wife really take off.
Amazon Price: $10.19 (as of 08/19/2008)
The Reader
Originally published in Switzerland, and gracefully translated into English by Carol Brown Janeway, The Reader is a brief tale about sex, love, reading, and shame in postwar Germany. Michael Berg is 15 when he begins a long, obsessive affair with Hanna, an enigmatic older woman. He never learns very much about her, and when she disappears